Creating a new era of table tennis

March 22, 2010 2 comments »

Translated from  the article 《打造乒乓新纪元》, the Table Tennis World magazine, 02/2010 Issue

Year 2009 has passed. On reflection, the one word that could summarize our work in the past year is ‘new’. With the mandate of ‘new task, new starting point, new challenge and new practice’, we broke the pattern of steady development in the ‘adjustment year’ after the Olympics.

Fine-tune new talents and set up rosters for London Olympics team

Our main squad for the 2008 Olympic game was at its best form. Three elite players all reached high perfection in both technical and tactical aspects and their mental status were developed to a mature stage. All three were competent enough to take the crown. By and large we had the confidence going into and throughout the games. Whereas currently our team does not look too optimistic, with conditions similar to that of 2004 or even more difficult. In 2004, our three main players were among the top in the world, in terms of both competition results and world ranking. However, neither the players nor the coaches felt certain when the time had come for the battle. Because we were not mature and stable at the time, the result of being defeated was not accidental.

In order to maintain our edge in the London games, roster formation is especially important. Currently, our eight main players take a firm position in the (national) team. They were constantly ranked top eight throughout competitions in 2009. Therefore, how to select players for the Olympic team is a tough question.

Wang Hao and Ma Long, at a fitted age and with advanced playing style, form the core of the team at the moment. How to make sure they can keep the lead and succeed in making to the London Olympic team with their best form is essential to the stability of the team. Hence, work concerning them is the top priority in our team. Ma Lin and Wang Liqin, persistent all the way and to date have maintained high quality of play; they are the precious treasure of our team. It is admirable that they can still be motivated and take up posts through competition. However, limited by physical strength and playing style, it is hard to say if one of them can be selected by then. Among the rest four players, Xu Xin and Zhang Jike are young and highly motivated, showing a positive trend of development recently; but it’s still too early to prove anything. Chen Qi and Hao Shuai, with hovering results for many years, will not want to give up the opportunity to fight either. We will continue to implement the mechanism of competition and form the best line-up through competition. By special training and cultivation, we will make sure that there will be two or more talents ready-to-use rising out of them.

It would be an irony to our work of these four years if we kept the same roaster for London Olympic as what we did in 2008. However, despite the fact that young elites are on the rise, they lack the experiences in big events and can hardly reach the state of Ma Lin, Wang Liqin and Wang Hao’s.  Young players can participate at the events as they wish through competition, but seem less capable as they wished at critical moments in major competitions. This group of young players are still in the stage of development and formation, not yet in the ideal cycle for use. Therefore, to enhance training and increase opportunity for them to experience is the only feasible way to shorten the length of their development phase.

Based on previous pattern and experience, young players, without experience of participating in big international events for a few times, will not meet the expectations going straight to the Olympics for the first time. Now, we are three year away from the London Olympics, in between there are two times of world team events and one singles event, a very few opportunities of big events for practice.  How to nurture new talents through these limited opportunities and assign them major roles to play is an important issue faced by us. That’s why in the latter half of 2009, men’s coach team have used young players extensively.

Boldly trying out emerging young players will indeed bring vitality and vigour to the team. After a few stops of pro tours, our decisions proved to be right. Through competition, young players as main squad continually gain experiences, hone their skills and enhance real-game ability evidently. For young players, losing is also a form of gaining. Ma Long and Chen Qi, lost in the World Cup and didn’t play well in a number of other important games. Particularly, Ma Long, as the backbone for London preparation team, was well anticipated and assigned a major role to play in the games. But out of everyone’s expectation, he lost in two key battles. This means that Ma Long has not yet crossed the threshold in stress management and mental adjustment. We should take this as a lesson and redesign a brand new program to breakthrough.

Field experience is the best way to facilitate growth, however if players only focus their attention on tournaments, they won’t be able to maintain good forms and it will even create negative impact on their performance in the future. Seizing the opportunity and intensifying experience training are certainly underpinning for young elite players to grow fast and set a firm foothold, but how to do an overall arrangement with right timing is more essential to the formation of the London team.

(this translation exercise is only part of the article ‘da zao ping pang xin ji yuan’ from Table Tennis World 02/2010 Issue, which was a selection and adaptation from Liu Guoliang’s 2009 work report)

The routine of switching to offensive play after rallying down the middle

March 2, 2010 3 comments »

《中路相持后的转攻套路》,translated from 09/2009 Issue, Table Tennis World

The ‘middle line’ is a sensitive placement position in table tennis games. It is especially critical for players with shakehand grip. Because for shakehanders it is a bit slower to switch between forehand and backhand, when the ball is coming down the middle it is difficult to execute a backhand shot with correct motion which in turn undermines the quality of the shot. Therefore, during a fast rally, we will normally focus on playing down the middle to the shakehand opponent’s table and force the quality of the return to deteriorate and thus create a better opportunity for ourselves to launch attacks.

Currently, the new technique of reverse backhand of penholders to some degree helps offset the weakness of penholders’ backhand however it creates a problem similar to that faced by shakehanders. Whether to return the middle shot with traditional backhand block or reverse backhand is a question difficult to answer. Technically, we like to use forehand to handle the shots down the middle but if the incoming shot is of higher quality and faster speed, it would be very hard to struggle the footwork to turn sideward. In addition, our awareness is even harder to change in a fast rally. Most players will continue with backhand after playing a backhand shot; this is a result of subconsciousness. To solve this problem, we have designed some routines which involve switching backhand to forehand in practice. ‘Playing down the middle, followed by a forceful backhand shot and then turning decisively to the side (to launch forehand attack)’ is an often-used and very effective tactical combination.

We have to prepare the condition for forehand attack in order to free ourselves up from the backhand rally. First, we need to adjust the stance to leave enough space for striking and enough time for further adjustment. Simply put, we need to take one step back. Furthermore, in order to have a smooth transition to forehand attack, the quality of the previous backhand shot has to be enhanced. Making it a surprise for the opponent will create a better chance to suppress the opponent.

Block Variations

January 26, 2010 2 comments »

Someone pointed out that ‘Tear’ is not really a table tennis term in English. I only thought the Chinese term ‘rip’ or ‘tear’ was vivid and fun when translating but didn’t realize that it doesn’t resonate in English. Luckily someone reminded me and I did find an article in Butterfly Newsletter June Issue that talked about exactly the same thing. They called it active backhand block. So I changed ‘tear’ to active block in my translation.  Here is a link to the article for those who are interested. It’s more detailed in explaining the shot  http://www.butterfly-world.com/newsletter/butterfly-news74.pdf

Thanks for reading my blog and sharing your thought.

The Skill of Consecutive ‘Active Backhand Block’

January 15, 2010 11 comments »

Translated from ‘横板反手连续快撕的技巧’, Table Tennis World, November 2009 Issue

http://www.sportspress.cn/yls/magzine/jing/ppsj/2009-11-25/1928260.html

Changing playing rhythm is extremely important in close-to-table rally. Changing rhythm includes variation in speed, spin and shot placement. Among these components, varying shot placement is the most straightforward. Whereas changing speed and spin should be looked at in relative terms instead of going for the absolute speed or spin. Many amateurs like to overuse their power and brush the ball extremely hard to obtain the absolute fast speed and spin they dream for. But this can actually break their playing rhythm, which defeats the purpose of improving the quality of the shot. In addition, trying too hard will force the form out of shape, which may cause too many unnecessary errors.

Since it is close-to-table rally, the speed of the ball is without question very fast. Hence, increasing speed on top of that will be very hard to achieve. However, high-level players have many techniques to improve the quickness of hitting the ball, such as adjusting the timing of driving, i.e. trying to hit the ball when it is rising or on the early rise; or grazing harder while striking to make the ball accelerate after landing to achieve speed variation. However, close-to-table rally can cause mistake easily because the allowed trajectory of the shot is too short. Especially when there is more spin created, the ball flight tends to go too long or too low. Even though the high-level players are masters of the ‘fast active block’ technique, it’s still easy to make the ball go out or into the net if not careful enough.

In the following pictures, both Matsudaira Kenta and Wang Liqin used active backhand block during the rally; however their styles are completely different. Wang Liqin’s backhand has improved a lot in recent years especially in terms of stability and the variety of ways to deal with the short balls close to the table or within the table.  Matsudaira Kenta has an excellent close-to-table playing skill. He has extremely fast speed, and also stability and power. We can find some rules to follow from his playing techniques.

In pictures, Wang Liqin started with a short sidespin and backspin serve to Matsudaira’s middle. Matsudaira moved one step up and returned with a forehand ‘straight push’. His return was not the best, only served as a transition. However, Wang Liqin didn’t have a strong sense of attacking and he just went with an active backhand block to Matsudaira’s backhand court. Matsudaira recovered quickly after receiving the serve with one step back. He saw the backhand ‘fast spin block’ return from Wang Liqing was not threatening enough so he leaned his upper body forward and opened his arm towards the incoming ball while it was rising to strike a counter spin block to Wang’s backhand. In picture 9, Matsudaira’s arm was almost straightened. This was to help him catch the rising phase of the incoming ball and get the power out. Matsudaira’s ‘active backhand block’ exhibited excellent speed.  Wang Liqin’s second ‘active block’ was a little pressured. He stroked the ball while his feet were on the move. He managed to grab the early point of contact but in order to ensure the accuracy of the returning arc he only put a safe brush instead of extending his full power. Matsudaira on the other hand made some changes to his second ‘counter block’. He increased the level of spin. In picture 13, Matsudaira’s backhand starting position was a little below the table. During backswing, he fully turned his wrist inward. The motion was small and quick which helped him with the early ball contact and the wrist turning increased spin to make the shot more threatening therefore it is a very sensible stroke. In picture 14, it can be seen that Matsudaira’s direction of power was almost completely forward with very minimum upward motion. This can ensure the ball flight was low and flat which increased the speed. Wang Liqing prepared well for the third attack. He lowered his weight and shot the ball with great force after a full backswing to Matsudaira’s backhand (picture 15-18). Matsudaira’s third ‘counter block’ was quite challenging and he fought with no hesitation. He turned his waist to the left to prepare himself for a great power loop at the rising incoming ball. In picture 19, Matsudaira’s waist turned backward and his arm opened to the right which showed the great power he had put into the ball. This stroke was out of Wang Liqin’s anticipation. His footwork was a little behind which caused him to miss the ball.

Matsudaira’s active backhand block has a lot of varieties. Comparing the three consecutive shots, the commonality is that they were all stroked in the early rising phase which generated fast speed. The difference is that the first shot was with less spin motion but more power for an excellent speed; the second one had more abrasion, therefore more spin but with less power; the third one was with both strong power and great spin therefore it was a more deadly shot. It was through this smooth change of rhythm that Matsudaira subdued the attack of Wang Liqing. His way of hitting the ball demonstrated the changes in a rally which is something we can learn from.

Glossary-Higher Education (Canada)

November 28, 2009 1 comment »
Glossary-Post-Secondary Education (Canada) 高等教育词汇(加拿大)
endowment 基金
endowed chair/professorship 教席
fundraising 募集资金/募捐
donor 捐赠者
annual giving 年度捐赠
major campaign 巨额资本捐赠
restricted fund (donation) 专款专用/专项资金(特定捐赠款)
unrestricted fund (donation) 非限定用途捐赠
government sponsored research 纵向科研项目(政府资助的科研项目)
private (contract) research 横向科研项目(企业支持的合同性科研项目)
scholarship 奖学金
student loan 助学贷款
student grant 助学金
bursaries 助学金(为有需要的低收入学生)
faculty of arts 文科学院
fine arts 艺术
liberal arts college 文理学院(博雅学院)
provost 教务长
president/vice-chancellor 校长
chancellor 名誉校长
governing council 管理理事会/管理委员会
dean 院长(二级学院)
chair 系主任
faculty 教职员工
support staff 教辅人员
full-time faculty 专职教师
part-time faculty 兼职教师
sessional faculty 临时教员
full professor 教授
associate professor 副教授
assistant professor 助理教授/助教授
lecturer/instructor 讲师
tenured professor 终身教授
tenure track 预备终身职位
full-time student 全日制学生
part-time student 非全日制学生
undergraduate 大学本科
graduate 研究生
degree granting 学位授予
bachelor degree 学士学位
master degree 硕士学位
PhD 博士学位
professional degree 专业学位
post doctor fellowship 博士后研究员
university 大学
college 学院
international student 留学生
drop out/attrition rate 辍学率/退学率
enrolment rate 入学率
participation rate (劳动力人口)参与率
teaching assistant (TA) 助教
research assistant (RA) 助研
graduate assistant (GA) 助管
workshop 研讨课
tutorial 辅导课
basic income unit (政府拨款)生均成本基本单位
weight of applicable program 适用专业系数
operating budget 日常运行经费
tuition 学费
government grant 政府资金
petition 特殊情况申请
appeal 上诉
academic honesty 学术诚信
suspension 暂令停学
expulsion 开除学籍
it’s rewarding 收获很多
culture shock 文化休克
dedicated/committed 敬业
OISE 安大略教育研究院
journal 学术期刊
publication 出版刊物
citation 学术文献
Nobel laureates 诺贝尔奖得主
mass education 大众教育
elite education 精英教育
universal education 普及教育
research 科研
governance structure 治理体制
canada foundation for innovation 加拿大创新基金会
research 科研课题
researcher 科研队伍
knowledge economy 知识经济
canada research chair 加拿大讲席教授
two tiers 两个系列
first tier 一类(成熟类)
second tier 二类(发展潜力类)
secular university 世俗大学
life learning 终身教育制
career college 私人职业教育学院
take the credit 居功
transfer 转移支付

Wang Hao’s Reverse Penhold Backhand Attack

August 7, 2009 9 comments »

translated from “王皓的反手进攻”, Table Tennis World, July 2009 Issue http://www.sportspress.cn/yls/magzine/jing/ppsj/2009-07-23/1844130.html

Wang Hao’s  reverse penhold backhand attack, with both stability and power, outperformed the shakehand’s!

Reverse backhand sidespin looping at receiving, first to launch attacks

wanghao

Wang Hao, after playing many major world events, finally had his wish come true at the Yokohama Table Tennis World Championship, winning the Men’s Single. His most recognizable technique is his reverse penhold backhand attack. Although Wang Hao is a penholder, his backhand is no weaker than the backhand of the world’s best shakehand players, only stronger. In the following text, we are going to analyze the details of the penhold reverse backhand for you using the semi-final match between Wang Hao and Ma Long (Picture 1-18).

First, Ma Long served short to Wang Hao’s middle to forehand side. Wang Hao’s wrist is extremely flexible. He stepped up, twisting his wrist and started a reverse backhand sidespin loop, down the line to control Ma Long’s backhand attack. Ma Long took one step back and used backhand fast power loop crosscourt, aiming at Wang Hao’s open area at backhand (Picture 6-11). But Wang Hao prepared himself for Ma Long’s returning line. He quickly recovered and stepped back to the mid-range distance, playing counterloop with his powerful backhand, winning the point (Picture 14-16).

The technique of backhand sidespin loop in the table is getting mature among the shakehand players, but Wang Hao’s backhand sidespin loop is even better in terms of spin variation. He can even produce a mix of side and backspin with his reverse penhold backhand loop. It is his best tactic to handle the forehand short serve with reverse penhold backhand loop first and then counterloop at his backhand side. It is even difficult for the excellent two wing players to fight against Wang Hao’s backhand.

Ma Lin’s Incredible Crossover Footwork

July 25, 2009 5 comments »

(translated from ‘向马琳学习超强的交叉步’ by Table Tennis World magazine, 2009 June Issue http://www.sportspress.cn/yls/magzine/jing/ppsj/2009-06-24/1826526.html)

Crossover footwork is the most frequently used footwork to cover large distances. Players perform crossover footwork when they try to reach for a forehand far away from the backhand corner after a forehand attack. The footwork starts at a very fast speed and can fully utilize the power of the legs and waist. The player hits the ball while both of his legs are off the ground, making the stroke deadly. Once crossover footwork is used, stroke quality is generally high. However, because the crossover footwork involves big body movements, together with the inertia effect, it is difficult to recover on time. High calibre athletes have very strong physical ability so they can make sudden stops with their strong leg power and achieve fast recovery.

Ma Lin is the most outstanding penholder in the world and he uses crossover footwork incredibly well. It is very difficult to maintain balance while running. That’s why many players use more of their arms to return the ball. However, Ma Lin can manage to coordinate his waist, arm and wrist beautifully, maximizing the quality of his stroke.

ma lin 1

ma lin 2

In pictures, Gao Ning served a short sidespin to Ma Lin’s backhand (Picutre 1-7). Ma Lin’s position prior to receiving was inclined to the corner. When he saw that Gao Ning’s serve was a bit long, he turned to the side of the table immediately and power looped at the table to Gao Ning’s backhand (Picture 3-9). Gao Ning, didn’t panic in the face of Ma Lin’s powerful attack. He adjusted his stance quickly and prepared to block (Picture 9). Ma Lin’s attack was powerful but didn’t get through Gao Ning’s block. Gao Ning played a soft block at the table, returning the ball down-the-line to Ma Lin’s wide open forehand (Picture 10-13). It is fair to say that Gao Ning did a very good job in the first three balls. Not only did he block Ma Lin’s high-quality attack, but he was also able to place the ball down-the-line and moved his opponent. This shows Gao Ning has a very good feeling of the ball with his hand. Ma Lin’s first attack was excellent in terms of both power and speed. However, it would be of the same high quality if it gets returned. Ma Lin did not give up in the face of Gao Ning’s impeccable block. After the attack, his feet returned a small step (picture 10-12) and then started moving again-his right leg bent deep down and pressed hard against the floor so as to send him off to his forehand (13-14). When the coming ball started to fall, Ma Lin extended his big arm and at the same time pointed his wrist downward to ‘wrap’ the ball (Picture 15). While his two feet were off the ground, Ma Lin grazed hard and looped sidespin to Gao Ning’s middle (Picture 16). We can see that when looping, Ma Lin fully used the power generated from his body pulling up. He tried to twist his waist when contacting the ball. Even though the movement of his waist was not big, it helped with power generation. After contact, Ma Lin used his right leg to press hard against the floor to make a break. His body was leaning forward to help him recover fast. Gao Ning was ready to counter-attack off Ma Lin’s forehand loop. But Ma Lin’s loop has very strong sidespins. Gao Ning stuck for a second, then miscalculated the bounce of the incoming ball and looped over the table (Picture 18-24).

Things to note when we practice crossover footwork:  the right leg should press against the floor with a big and sudden power at the same time making a big cross step with the left leg to the right so as to get closer to the target position; make contact with the ball while two legs are off the ground; try to turn your waist horizontally and use the body to generate power, keep arm and wrist stable while making big body movements during running; catch the early point of hitting to improve consistency; brace against the right leg after hitting to maintain balance and lean the upper body forward to mitigate the inertia of the body pulling to the right to achieve fast recovery.

TT Analysis-Learning Attacking Tactics from Tie Yana Part 2

July 16, 2009 7 comments »

Translated from “向帖雅娜学习进攻技术”, Table Tennis World, Jan 2008 Issue

http://www.sportspress.cn/yls/magzine/jing/ppsj/2008-01-29/1380569.html

Keys to increasing speed in a rally: precise footwork, high racket position and back to backhand

tie b1-4 

tie b5-8

tie b9-12

tie b13-16

Minimum movement secures fast recovery 

To be able to block well requires full preparation and fast recovery. Tie Yana usually maintains her foot movement to the minimun in the range to achieve fast recovery.

Picture B1-16 shows Tie Yana’s footwork. When receiving the short ball at forehand side, she only made one step up with her right foot to hit the ball. When blocking, she recovered her right leg and started backhand spin block. From reception to the fourth attack, she only moved two steps. The precision of her footwork guaranteed her playing advantage.

Keeping racket high and back to backhand

One of Tie Yana’s strengths is that she can quickly react to the attacks no matter which direction the opponent targets at. This is because she tries to control her opponent with every shot, which limits the attacking line of the opponent to some degree. At the same time she has strong ability to anticipate.

Tie Yana always keeps her racket above the table. When rallying, she returns to her backhand after each stroke.

B1-16 shows that her racket is always above the table and the vertical movement of her stroke is small which guarantees a good speed of her horizontal movement. In B9, Tie Yana came back to her backhand after the stroke. The reason is that it is much faster to switch from backhand to forehand than the other way around and the motion is way smoother. This is one of the secrets to her good blocking game.

TT Analysis- Learning Attacking Tactics from Tie Yana Part 1

July 14, 2009 6 comments »

A translation of “向帖雅娜学习进攻技术” from Table Tennis World, Jan 2008 Issue http://www.sportspress.cn/yls/magzine/jing/ppsj/2008-01-29/1380569.html

 

Tie Yana’s Strategy of ‘Releasing the Enemy Only to Capture Him Later’

Learn to ‘strike only after the enemy has struck’

tie a1-4
tie a5-8
tie a9-12
tie a13-16

Hong Kong player Tie Yana is best at playing blocking game aggresviely. She defeats many top players by using the strategy of letting the opponent attack first with a nice control of the ball and then seeking opportunity to counter-attack. This tactic of ‘strike only after the enemy has struck’ reflects Tie Yana’s style of play and best suits her special skill set.

Counter-attack after a half-long serve

Tie Yana is excellent at blocking techniques. She possesses solid fundamentals and great awareness. No matter how ferociously the opponent attacks she can always easily return the ball. She plays her defensive shots tactically: instead of being attacked passively, she plans all the possible return shots and let the opponent attack, according to her plan.

It is true that almost all players wish to control the opponents at service or reception to avoid attacks because it is very difficult to block once the opponent fires attack. However, sometimes we can change our way of thinking. Send the ball to the opponent for attacks provided that we have calculated all the possible returns before service or reception. We are well prepared this way and it is much easier to block. This technique of active block is also a way of attack.

In picture A1-16, Tie Yana served a half-long underspin and waited for the opponent to attack. She then used her active backhand spin block to score the point. ‘Strike only after the enemy has struck’ is a major point winner for Tie Yana.

Avoid getting stuck too close to the incoming ball and pay attention to the angle and position of the racket

From Tie Yana’s blocking techniques, we can see the skills involved in her racket position and stroke movement. Tie Yana always had her racket above the table. When making contact with the ball, she hit the top of the ball so as to ’borrow’ power from the opponent and avoid being cramped by the speed of the incoming ball. 

 

Table Tennis Technique – Varying Your Shot Placement with Backhand Part 4

July 9, 2009 9 comments »

-A translation of ‘向高手学习反手巧妙变线的技巧’ from 《乒乓世界》 (A famous Chinese table tennis magazine ) Jan 2009 Issue http://www.sportspress.cn/yls/magzine/jing/ppsj/2009-01-20/1722920.html

backhand-picture B
backhand-picture B2

In picture B, Zhang Yang served a short sidespin to Ma Long’s forehand (B1-5). Ma Long stepped forward and pushed the ball down-the-line to Zhang Yang’s backhand corner (B5-10). Ma Long’s push was sudden and deep, which left Zhang Yang only with a high-curve spin loop to Ma Long’s backhand (B9-12). Ma Long, after the push, quickly adjusted himself to block. He set back one step (B10-11) and observed his opponent’s intention. He realized that Zhang Yang wanted to continue attacking from the backhand corner therefore he punched the ball down-the-line to Zhang Yang’s wide open forehand. Zhang Yang’s first attack was weak so he wanted to make up for it. After his first loop, he quickly regained his balance on his right leg and prepared to attack from the backhand corner. However, his intention was too obvious and Ma Long was fully prepared for it. Therefore Ma Long in turn took the upper hand.

Ma Long played solid with his backhand blocks. He didn’t counter loop close to the table, rather he stepped back and took the time to observe his opponent’s movement. While Zhang Yang was moving to the backhand corner and got ready to attack, Ma Long suddenly punched the ball on top of the bounce, down-the-line. When making contact with the ball, Ma Long turned his wrist slightly inward (B13-1) which changed the direction of the ball instantly. Zhang Yang saw the incoming ball turning direction to his forehand and tried his best to save it, which showed a good sport spirit. In this round, we can learn some skills from Ma Long’s blocks. Although the hitting point was relatively late, the sudden change created caught the opponent off-guard.

The End